Shooting Script.

Video  Camera Shots/ On Screen	Audio  Lyrics/ Narration/ Music/ FX
0.00-0.03 Introduction to scenery and surrounding. Bird’s eye view of the location.  0.003-0.005 - Shot of pub - long shot/handheld 0.05-0.06 - Long shot/ handheld of people walking. 0.07-0.08 - Waterloo bridge - long shot, tracking shot Handheld.  Long Shot / Medium close up 0.08-0.10 Establishing shots, traffic and surroundings. 0.11-0.14  Traffic - long shot, high angle, tracking shot. 0.14-0.21 Intro of establishing the bar, bar door, people standing outside the bar. 0.21-0.29 Establishing shot of location, people, trafic, last establishing shot.	Instrumental part of the song at the beginning. Instrumental Instrumental Instrumental Instrumental Instrumental Instrumental Instrumental
0.29-0.31 Man staggers out of a bar. Falls on the floor. 0.31-0.33 High angle/ Handheld and moving. Close up on face. 0.33-0.34- Long shot - high angle people laughing.	Chorus There are two wolves in us And the one that’s stronger is the one we feed.
0.34-0.35 Crawls on floor away, others walk past and laugh. 0.35-0.37 Handheld,  Tracking shot Close up on face. 0.37-0.39 Man lip synching second half of chorus, close up. 0.40-0.42 Close up on lips as man lips synchs.	Chorus There are two wolves in us And the one that’s stronger is the one we feed.
0.40-0.42 Lifts himself up, tries to walk. Long shot of him walking away, tilt of him getting up of the floor. High angle as he starts walking. As he falls over and hits his head. 0.42-0.44 - Man starts singing - looking in to camera while on floor, lip synching, close up.	Verse 1 I caught you looking at me in disgust.
0.44-0.45 Cut to same man getting fired earlier on. Boss shouting, not heard. Shot reverse shot - close up on each person.	It’s the fact that I don’t trust you think that I must
0.46-0.48 Man gets up, throws something off of desk and leaves. Handheld as man gets up, close up of tea mug smashes on floor. Extreme close up on lips of boss shouting.	Although I shouldn’t care really because you’re just
0.48-0.52 Walking in the street - scratch effect. Showing surroundings. Handheld, high angle, close up of face, move in to camera.	A wannabe queen bee I’m looking in the mirror
0.53-0.55 Cuts to actual time - man walks in to the bar. Long shot of man walking in to the bar, handheld of him opening the door, close up on face.	Cause I’m trying to see What the hell is wrong with me
0.55-0.57 Back to realtime , man trips over, falls on the floor, close up on face.	(Don’t Speak of Treachery)
0.58-1.00 Man tries to get up slowly and walks away home. Close up on face, handheld, high angle.	Ladybird Ladybird fly away home
1.00-1.02 Man gets home and struggles to put keys in the door. High angle, handheld.	Your house is boring and your children are gone
1.02-1.07 The door opens and he leaves the keys inside the door and walks in. Handheld, close up on keys, High angle.	Chorus There are two wolves in us And the one that’s stronger is the one we feed
1.08-1.13 He gets in doors and starts sobbing. Tilt high angle close up handheld.	Chorus x2 There are two wolves in us And the one that’s stronger is the one we feed
1.13-1.25 Close up of wine bottle.	Instrumental
1.25-1.30 Man sits down with bottle in his hand. High angle,  tilt  close up.	Chorus There are two wolves in us And the one that’s stronger is the one we feed
1.31-1.36 Man drinks from the bottle. Close up, handheld, high angle.	Chorus x2 There are two wolves in us And the one that’s stronger is the one we feed
1.36-1.38 Quick flashback cut to smiling girl - ex. Low angle handheld  close up.	Verse 2 I caught you looking at me with a smile
1.38-1.40 Man crying. Close up on face, handheld low angle.	Can I stay for a while
1.42-1.48 Man starts to trash his house, smashes bottle and mugs. Close up, handheld, long shot, high angle.	You see the waves are in increasing in size Our power will rise, if you open your eyes
1.48-1.54  Quick flashback cut to smiling girl - ex. Low angle, handheld, close up.	Sitting in the sand, beers in hand The sun is going down (Speak Positively)
1.54-1.59 Man lyes down on sofa. Tilt, high angle, close up on face.	One’s flying east, One’s flying west One’s flying over the cuckoo’s nest
1.59-2.11  Man starts crying when thinking of girl. Close up, handheld.	Chorus x2 There are two wolves in us And the one that’s stronger is the one we feed
2.45-2.49 Man gets up from the sofa and walks out of the house. Long shot,  handheld  high angle.	Verse If what you’re gonna tell me is the truth I’d a appreciate that from you
2.51-2.55 Man leaves the door open. Handheld, long shot.	If what you’re gonna tell me is the truth I’ll be appreciative
2.56-3.00 Man walking among crowd of people. Long shot, high angle handheld.	If what you’re gonna tell me is the truth I’d a appreciate that from you
3.02-3.06 Establishing shot of Waterloo Bridge - London.	If what you’re gonna tell me is the truth I’ll be appreciative
3.08-3.11 Long shot of traffic.	If what you’re gonna tell me is the truth I’d a appreciate that from you
3.14-3.17 Man gets to a quite area and stops. Long shot, close up on face, high angle.	If what you’re gonna tell me is the truth I’ll be appreciative
3.18-3.21 Man looks down and sees his own body on the floor. 3.21-3.22 High angle, tilt, canted, close up on face, handheld. 3.23-2.25 Long shot of park. 3.25-3.27 Man walks in to shot, tracking shot. 3.28-3.32 Close up on face High angle showing weakness and fear. 3.33-3.48 Close up on feet. Man walks in the middle of the park: long shot.	Everyone has a dark side
3.48-3.51 Man looks up to the sky. Low angle, handheld, canted, close up on face.	Everyone has an angel
3.54-3.58 Mid shot, tilting to a close up of the body on the floors face.	And the one that controls who you are
4.00-4.02 Long shot of man looking forward, with body unseen next to him. Long shot.	Is the one that you feed